"It was fortunate for you," said Fleda, "that she's apparently not aware of the manner in which, almost under her nose, you advertised me to him at Poynton." "To succeed, it must be all me!"!

Our young lady met this branch of the temptation it pleased her frankly to recognize by declaring that to encourage any such cruelty would be tortuous and base. She had nothing to do with his dislikes; she had only to do with his good-nature and his good name. She had joy of him just as he was, but it was of these things she had the greatest. The worst aversion and the liveliest reaction moreover wouldn't alter the fact—since one was facing facts—that but the other day his strong arms must have clasped a remarkably handsome girl as close as she had permitted. Fleda's emotion at this time was a wondrous mixture, in which Mona's permissions and Mona's beauty figured powerfully as aids to reflection. She herself had no beauty, and her permissions were the stony stares she had just practiced in the drawing-room—a consciousness of a kind appreciably to add to the particular sense of triumph that made her generous. I may not perhaps too much diminish the merit of that generosity if I mention that it could take the flight we are considering just because really, with the telescope of her long thought, Fleda saw what might bring her out of the wood. Mona herself would bring her out; at the least Mona possibly might. Deep down plunged the idea that even should she achieve what she had promised Owen, there was still the contingency of Mona's independent action. She might by that time, under stress of temper or of whatever it was that was now moving her, have said or done the things there is no patching up. If the rupture should come from Waterbath they might all be happy yet. This was a calculation that Fleda wouldn't have committed to paper, but it affected the total of her sentiments. She was meanwhile so remarkably constituted that while she refused to profit by Owen's mistake, even while she judged it and hastened to cover it up, she could drink a sweetness from it that consorted little with her wishing it mightn't have been made. There was no harm done, because he had instinctively known, poor dear, with whom to make it, and it was a compensation for seeing him worried that he hadn't made it with some horrid mean girl who would immediately have dished him by making a still bigger one. Their protected error (for she indulged a fancy that it was hers too) was like some dangerous, lovely living thing that she had caught and could keep—keep vivid and helpless in the cage of her own passion and look at and talk to all day long. She had got it well locked up there by the time that, from an upper window, she saw Mrs. Gereth again in the garden. At this she went down to meet her. "I see," said Owen, looking at his gloves. "I can give her a day or two, you know. Of course I didn't come down to sleep," he went on. "The inn seems a horrid hole. I know all about the trains—having no idea you were here." Almost as soon as his interlocutress he was struck with the absence of the visible, in this, as between effect and cause. "I mean because in that case I should have felt I could stop over. I should have felt I could talk with you a blessed sight longer than with Mummy."

"No. I knew only that you had had, in London, all that you told me, that day, to do; and it was Mona's idea that after your sister's marriage you were staying on with your father. So I thought you were with him still." "I'm glad you didn't do that." Her arrival took the form of a surprise very nearly as violent as that of the other time. The elements were different, but the effect, like the other, arrested her on the threshold: she stood there stupefied and delighted at the magic of a passion of which such a picture represented the low-water mark. Wound up but sincere, and passing quickly from room to room, Fleda broke out before she even sat down. "If you turn me out of the house for it, my dear, there isn't a woman in England for whom it wouldn't be a privilege to live here." Mrs. Gereth was as honestly bewildered as she had of old been falsely calm. She looked about at the few sticks that, as she afterwards phrased it, she had gathered in, and then hard at her guest, as if to protect herself against a joke sufficiently cruel. The girl's heart gave a leap, for this stare was the sign of an opportunity. Mrs. Gereth was all unwitting; she didn't in the least know what she had done, and as Fleda could tell her Fleda suddenly became the one who knew most. That counted for the moment as a magnificent position; it almost made all the difference. Yet what contradicted it was the vivid presence of the artist's idea. "Where on earth did you put your hand on such beautiful things?"